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Pierre Lescot, Louvre 1546-51. Illustration by May Spangler.


May spangler is an architect from the Beaux-Arts School in Paris, and a Ph.D. in French from Emory University in Atlanta, who combines her interest in architecture and literature in her writing and illustrations. Her books in French and English include a monograph, Monstrer Diderot, a memoir, Papa a dit, Maman aussi, a student textbook and teacher manual, Paris in Architecture, Literature, and Art. May is now working on a college romance, The Architect’s Eye.

New Book in Progress


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The Architect’s Eye, a college romance based on a true story, tells the unlikely love story between Parisian May and native Georgian Dickie, as she comes to study architecture in the United States in 1978. May has grown disillusioned with life and envisioned her trip as an opportunity to redefine herself, because it is all about perspective: to see, to be seen, and to see yourself in the eyes of others. In the 1970s, few women studied architecture, and while she survived the abusive hazing of the Beaux-Arts School, it left her cautious of men. In contrast, the American students welcome her into the studio, but when she falls in love with Dickie, she still can’t put her trust in him. 

Although Dickie and May grew up worlds apart, they have the language of architecture in common and engage life with the same eagerness. But May’s past left her disillusioned with love, and she believes she’ll never love a man with her whole being. When May finally perceives through the American eyes that her blasé attitude may be another postmodern by-product of the May ’68 cultural revolution, she still keeps her distance. She leaves the United States thinking that her infatuation will not survive an ocean. But love stays just as strong, threatening to make the rest of her life miserable. Can she overcome her cynical views and take a chance at love with Dickie?

Illustration Samples

“Less is more.” ― Mies van der Rohe, 1947            “Less is a bore.” ― Robert Venturi, 1966

The Architect’s Eye features the 1970s postmodern debate as the bland functionalism of modern architecture was under the siege of a postmodernism that promoted complexity, plurality, and language games. Ten illustrations, including eight by the author, give architecture background information, such as in the samples below.

“LESS IS MORE”: Minimalism and Functionalism of Modern Architecture

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Fig. 9. Mies van der Rohe, Crown Hall, Illinois Institute of Technology, 1956.

“LESS IS A BORE”: Complexity and Historicism of Postmodern Architecture

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Fig. 12. Charles Moore, Piazza d’Italia, New Orleans, 1978.